Jean antoine Watteau
French Rococo Era Painter, 1684-1721 He is best known for his invention of a new genre, the f?te galante, a small easel painting in which elegant people are depicted in conversation or music-making in a secluded parkland setting (see under F?TE CHAMP?TRE). His particular originality lies in the generally restrained nature of the amorous exchanges of his characters, which are conveyed as much by glance as by gesture, and in his mingling of figures in contemporary dress with others in theatrical costume
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Jean antoine Watteau Franzosische Komodianten oil painting


Franzosische Komodianten
ca. 1720(1720) Oil on canvas 57 ?? 73 cm (22.44 ?? 28.74 in)
Painting ID::  68448 		Jean antoine Watteau
Franzosische Komodianten
ca. 1720(1720) Oil on canvas 57 ?? 73 cm (22.44 ?? 28.74 in)
   
   
     
Jean antoine Watteau Das Ballvergnegen oil painting


Das Ballvergnegen
ca. 1717(1717) Oil on canvas 52.7 X 65.7 cm (20.75 X 25.87 in)
Painting ID::  68774 		Jean antoine Watteau
Das Ballvergnegen
ca. 1717(1717) Oil on canvas 52.7 X 65.7 cm (20.75 X 25.87 in)
   
   
     
Jean antoine Watteau Der Tanz oil painting


Der Tanz
c. 1710-1720 oil on canvas 97 X 116 cm (38.19 X 45.67 in)
Painting ID::  68777 		Jean antoine Watteau
Der Tanz
c. 1710-1720 oil on canvas 97 X 116 cm (38.19 X 45.67 in)
   
   
     
Jean antoine Watteau Das Liebeslied oil painting


Das Liebeslied
51,3 X 59,4 cm Oil on canvas c. 1717
Painting ID::  68865 		Jean antoine Watteau
Das Liebeslied
51,3 X 59,4 cm Oil on canvas c. 1717
   
   
     
Jean antoine Watteau Das Ballvergnegen oil painting


Das Ballvergnegen
c. 1717 oil on canvas
Painting ID::  69056 		Jean antoine Watteau
Das Ballvergnegen
c. 1717 oil on canvas
   
   
     
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     Jean antoine Watteau
     French Rococo Era Painter, 1684-1721 He is best known for his invention of a new genre, the f?te galante, a small easel painting in which elegant people are depicted in conversation or music-making in a secluded parkland setting (see under F?TE CHAMP?TRE). His particular originality lies in the generally restrained nature of the amorous exchanges of his characters, which are conveyed as much by glance as by gesture, and in his mingling of figures in contemporary dress with others in theatrical costume

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